American soprano Maria Valdes has been praised for her “silvery tone, glassily smooth phrasing, and fine-caliber dynamics” (San Francisco Classical Voice). In the 2017-2018 season, Ms. Valdes makes her debut with HGOco singing Diana in Cruzar la Cara de la Luna. She recently made her debut with Opera San José as Despina in Così fan tutte. She will also make her company debut with Opera Theatre of St. Louis as Amore in Gluck’s Orfeo ed Euridice and as Gilda in Rigoletto with Berkshire Opera Festival. On the concert stage, Ms. Valdes performed Mahler’s Symphony No. 4 and Barber’s Knoxville: Summer of 1915 with the California Symphony, delivering a “pliant and sympathetic” performance with “unruffled sweetness” (San Francisco Classical Voice). She will also be heard with the Phoenix Symphony as the soprano soloist in Brahms’s Ein deutsches Requiem. Finally, Ms. Valdes returns to the Bellingham Festival of Music to sing Poulenc’s Gloria.
Maria Valdes finished out the 2016-2017 season with a return to San Francisco Opera to cover the role of Gilda; she went on in-role during a performance after a colleague fell ill. A distinguished alumna of the SongFest program in Los Angeles, she was heard in a solo recital of Nordic, Spanish and Latin American music. Other season highlights included performing Mahler’s Symphony No. 4 and Mozart’s Exsultate, jubilate with both the Las Vegas Philharmonic and Chattanooga Symphony, and with Kaleidoscope Chamber Orchestra singing Barber’s Knoxville: Summer of 1915 and the West Coast premiere of Scott Ordway’s “Tonight We Tell the Secrets of the World.” She also performed Handel’s Messiah with Concert Royal at St. Thomas Church in New York City, where The New York Times exclaimed that she performed “beautifully, growing stronger as the evening progressed.”
Most notably from the 2015-2016 season, Valdes made her Lyric Opera of Chicago debut covering Juliette in Roméo et Juliette immediately upon finishing her tenure as an Adler Fellow with San Francisco Opera. Throughout the two-year fellowship she performed the roles of Musetta in La Bohème, Papagena in Die Zauberflöte, Clorinda in La Cenerentola, and Barbarina in Le nozze di Figaro. Covers included Johanna in Sweeney Todd, Pamina in Die Zauberflöte, Oscar in Un ballo in maschera, Magnolia in Showboat and Susanna in Le nozze di Figaro, which she also performed in 2013 as member of that company’s Merola Program.
An accomplished recitalist, Valdes has appeared in concert with Martin Katz, as well as world-renowned flamenco guitarist Pepe Romero. She made her New York recital debut with NYFOS performing with Steven Blier and Michael Barrett in Compositora, a recital of female Latin American composers. Of her performance, The New York Times praised Ms. Valdes for her interpretation of the repertoire with “keening clarity.” She also attended the Steans Institute at the Ravinia Festival which included several concert appearances. Ms. Valdes can be heard singing Mendelssohn’s “Hear my prayer” on the album Evening Hymn released by Gothic Records and acclaimed in the American Record Guide.
An award-winner in the regional Metropolitan Opera National Council auditions, Maria Valdes is also the winner of the top prize at the Corbett Opera Scholarship Competition at Cincinnati College-Conservatory of Music and is the recipient of a Shoshana Foundation Grant. She is a native of Atlanta.